Under the Frame Rate heading, select “Assume this frame rate:” and enter 24 or 25 in the field, depending on the basic frame rate you shot your video. If you want to make a bulk adjustment make sure you select multiple clips at once in your project window. Any change here will only impact the selected clip. Next in the “Modify Clip” panel you can enter and adjust a large number of settings on a per-clip basis. In your project window, right-click on the video clip you want to remap, and right click Modify > Interpret Footage. This way you can play the footage you’ve shot in a higher frame in slow-motion on your time-line. Step 1: Interpreting Footage in Adobe Premiere ProĪfter creating a project and importing your shots in Premiere Pro, a basic time-remap can be performed by interpreting your footage. You can also make your scene more epic or dramatic by adding a variable speed, which you can do with Premiere time remapping and speed ramping. When do you want to use slow-motion in your videos? I use it for different reasons but most of the time to create really cinematic emotional feelings. So the more frames you shoot, the more you can slow down your footage. This means it will take 2.5 seconds (60/24) to play all 60 frames at a base 24fps timeline, and this is what causes slow motion. By doing this, you are stretching the 60 frames out to fit only 24 frames of it in 1 second leaving 36 leftover frames. So, when do you shoot in 60 fps or even higher like 120 fps? You will do this with the intention to create slow-motion in your video by converting the higher frame rates to the base 24 fps. This is because there will be less motion blur and will not have the same look like a cinematic film. Shooting in 30 fps or higher causes your image to appear smoother and clearer like in the news reports on tv. Most Hollywood films are shot in 24 fps, so that is what the human eye is used to see when it comes to cinematic films, due to the amount of motion blur that 24 fps causes. I shoot my videos in 25 fps because I am from Europe, but you can compare it to 24 fps, it’s just 1 frame or still image over 1 second more. I'll refrain from burning 30 DVDs until I can confirm from a few more people that either A) I'm doing this wrong, or B) I'll need to tolerate it because of the DVD spec.Which frame rate to choose for your video? I do see some fuzzy in a little bit of the photos while they're moving. I don't see any flickering (progressive fixed that). Note that overall I only see the fuzzy during the dissolve transition. Hopefully my responses provide some insight. Help me by asking specifics like you did. "It is hard to dispense advice without knowing your sources and methods.
Not sure on DPI, they're from a 10MP camera. "What are the dimensions and dpi of a typical still you are using?"Ģ000px on the longest side. No, I am doing everything (sequence and encoding) progressive/noninterlaced. "Is Premiere trying to squeeze the stills to a specific aspect ratio?" So, some have motion, lot of dissolve transition. Yes, some photos have motion, some don't. I've also tried VBR min/avg/max at 8Mbps for kicks, same thing. The video I'm encoding is mpeg2, quality 5, bitrate 8 CBR. Still images were 2000px on the longest side and resized. My sequence is standard 48Hz DVD, 29.97 fps, progressive. "I would be interested in knowing your specific Premiere video presets, as well as your still image settings in the timeline."
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